New and Upcoming Releases

25 years after its official release, Deeper Audio Cuts “DAC002” gets a very much demanded re-issue: two split EPs that contain remastered originals from the 1997 release together with fresh, unreleased tracks dug out from Scott’s DAT archives.This part 2, contains “My Jupiter Rox’s” from the original DAC002 EP plus the previously unreleased “Cook It”, “DoDaDaDa” and “Ayeah”.

We’re utterly excited to welcome again Scott Featherstone on OCD after his first outing on The Secret Sun under his moniker Beyond A Voice.Scott’s spirit while making music is quite possibly the purest we’ve ever found until today: completely free in his approach to music, ingenuous and without prejudices, to our eyes he makes music like a kid discovers the world setting his productions free from any conformity. And he's a master in his craft.We’re extremely grateful to have been able to dug through his DATS (some of which are 25 years old!) and to compile this EP that we feel encompasses the spirit of House Music in some of its most emblematic and varied facets.

To unlock what seemedan unreachable possibilityan taste it with your eyesan touch it with the musicof your earsto want something so muchthat only magic can interfereyou and your inner wisdomuntil the door of yourmental limitations open in front of youso effortlessly no need for keyjust to believe in.

After this long period of pandemic and staying at home, these tracks represent a glimmer on which to look out and have the hope of soon returning all together to party.

Backward Futura, exploring the sounds and vibes of 80’s and 90’s electronica thru the lenses of the new Millennium.First EP by Linear Sound Delivery, one of Italy’s most interesting artists under a new secretive moniker.

A new chapter of the 90's label Air Trance communication, with 2 original tracks made by Francesco Farfa, including remixes from Domenico Rosa and Roberto Manolio.

New Berlin based label Dead Sound Records kicks off the first in a series of leftfield house & techno releases.The first E.P is from Cosmonaut, with the whole E.P fittingly taking influences and inspiration from his native Uruguay whilst still adding his unique flavour to each production. The E.P shows the depth and range of Cosmonaut’s ability as a producer with the A-side featuring two heavyweight 4/4 peaktime tunes. The B-side showcases a deeper side to Cosmonaut’s producing skills but with the dancefloor still very much in mind. TC80 rounds of the E.P with a delicate, emotional interpretation of The Cristal Ensemble Orchestra.

After the Ukranian double EP from Sasha Zlykh and Trippsy, Twig comes back with 4 tracks from the Italian producer Lapucci …. based in Florence with his studio, delivering dubplates and mastering service around the world.

4 Tracks of high quality trippy, and atmospheric techno from mystery Japanese project MA!

The first in a who-knows-how-many part series, Fantastic Man returns to Superconscious with his 'visions of dance', guiding 4 otherwise unwieldy mechanical modular manifestations, into highUV index rollers.Don't forget to slip slop slap!

VIL is the alias of Portuguese producer Nuno Costa, who has racked up some great releases on top labels like Klockworks, Be As One and Hardgroove in recent times. The influence of late '90s techno from the turn of the millennium is the focus on Above Below; from cyclical peak-time tools such as 'Rotari' (which receives an utterly hypnotic rework by Ednd later) or 'Blanco', while 'Ghet09' wears its Robert Hood influence firmly on its sleeve, and likewise the slamming heads-down groove of 'Anjos, The New Birmingham' does so too, with more of a nod to early Mark Broom or Ben Sims.

New Orlando Voorn on Nightripper Records. A upbeat double LP with 10 dance floor bangers!

62*2: Ice crystals decorate the well-worn machines. There's a positive buzz in the air, as construction on the purple plane is progressing smoothly. I'm still getting used to my new form, but I feel like I can be of help.

The first Huerco S. album in 6 years, Plonk’s world does not wholly resemble anything Brian Leeds has made under any alias. His sound palette has broadened to absorb and refine trap’s un-smeared geometrics and drill’s taught rhythms amongst the gaseous bodies and soul-piercing ambience that has garnered such acclaim; Where those previous veins were rooted in the pre-Columbian civilizations of his native Kansas, Plonk reflects the mournful sodium glow of cities at night, street corners that light up with painful moments of clarity you wish would disappear.

First full release by BSS (Luigi Vittorio Jansen) on Hivern following contributions to both 'Fragments' and 'Hivernation' projects. 'Bredius' showcases four tracks whose common thread is a detailed sound design of electrified percussion and a delicate and emotional approach to melodies. The EP will be available in two different versions: a standard one and a limited edition with the covers printed at l'Anacronica in Barcelona. Both artworks designed by Luigi himself.

DIURNAL001 by Roger Gerressen features three serious pieces of music for the mind and soul, drifting between techno and the more dubbier side of things.

DISDAT returns with its 5th release, dedicated to a true pioneer and master that has shaped electronic music culture as we know it today, Andrew Weatherall. There is not much to say that has not already been said about the Governor, so we will just give our respects and let his music do the talking. During the final years of his journey, Andrew made an unforgettable impact on the ReSolute dancefloors with his all night long sets expanding beyond 8 hours. Really embracing the ethos of the New York underground during these visits, he left behind a gift, that we are humbly sharing with the world. First off, DISDAT 005.1 On the A-side Andrew Weatherall crafted a track which drives the mind and body to another level. A combination of distorted synths riffs alternated with beautiful chord progression put together by powerful drum machines. A future classic in true Andrew fashion. On the B-side Rhadoo's remix is built on a mellow and powerful bassline, sprinkled with sounds oddities, and micro textures which keeps the mind occupied while the body surrenders to the groove. Stay tuned for the next one!

Re-release of Steffi's successful debut album Yours & Mine on her new imprint. The classic house album that reminds of early Detroit and Chicago tracks with a modern touch!!!

Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

We’re happy to announce the reissue of this italo club classic on 12″ vinyl. Written by Goomy aka Duke Lake aka Antonio Gabelli and produced by Alessandro Zanni and Stefano Cundari for the legendary Memory Records imprint back in 1983. This action-packed-track was one of those few italo disco productions that made it to the US airwaves with radio play on stations like WBMX. The original release was a double A-side while it mistakenly stated it had an instrumental version. This instrumental was nowhere to be found on the master tapes, so our in-house production duo Vanzetti & Sacco made one for the flip side after almost 30 years! Time for changes, time for love…

Boris Bunnik with a Vernon Felicity debut album! Days Of Leisure is a very well produced warm and analogue sounding house album. Think Metro Area vs. Larry Heard and you are almost there.. This is the sound of the summer and a future classic in the making.

Wokrs from 1993-2004. Compilation of Taras Bulba, a German studio group that could be labelled Tribal? Trance? Pop? Folk? Ambient? ... or something else.

Maestro electro producer Zero.dB: French made, forged in Spain, finalised in the Netherlands. Lucid last released one of his tracks back in the 90s under the name Zzaj (check out the Collected EP). Ever since he’s been expanding and honing his own fine-tuned sound in the realms of electro, minimal, breaks and deep techno.Side one sees Zero.dB on top reflective form, taking in silky Source/B12 tinged Detroit on kunn.st, elegantly tamed noise and bleeps on the lo-tempo title track, followed by the classic and melodic sticky electro-funk of littlegroov to close.Relentless and intense, yes, but with a warm heart of gold: side two opens with the ever-evolving deeptroit electroid funk of Matrice, an epic rush of down underground nearly-minimal techno. Then we arrive at last at the magnificent Asteroid: a rough, tough mishmash of breaks, noise, bleeps and voices that ain’t scared to be playful and jaunty too – an insane set of twists and turns that’s always bound for discerning dancefloor glory. [info sheet from distr.]

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the second in a series of vinyl album samplers.Sampler 2, a sublime gatefold, double 12 inch package sees Kerri soak up and channel the atmosphere of Dublin’s District 8, Glasgow holy grail Sub Club, NYC’s Output and Lisbon’s crowning jewel Lux into four trademark Kerri cuts, doubled up with a further mix of each track for good measure too. Piano-laden deep house, heads-down groovers, vocal-tinged soulful gems, recorded directly from each space, it’s brimming with future classics from start to finish.

Artificial Dance is very happy to announce the full archival compilation of work by Richard Zeilstra A.K.A. Genetic Factor. Recorded in different parts of the world, at different times - we hope this will give the world a glimmer of the mind of Genetic Factor. A mind that has been behind a variety of very influential operations during the years; including a string of radio programmes (Radionome & Spleen a.o.), working at Boudisque and running Barcelona’s first compact disc store!A double disc affair housed in a deluxe gatefold sleeve that is only bleak in comparison with the musics featured on the discs. With songs taken from a wealth of recordings (and we’re only touching the surface!) that were safely locked in the Lab’s vaults.The songs featured are not an attempt of making a coherent ‘album’ but much more trials of interpretation of his world into ‘music’. His strong believe in non-musicianship makes it more thrilling than conventional musics, yet these recordings are not result of amateurism - they form a consistent reality of what excites him. Take a dive in the realm of the Genetic Factor…

Hoshina Anniversary offers a new LP of fluid, alchemical dance music in the shape of Hisyochi, on Impatience. Moving well beyond the initial influence of jazz fusion, electronica and his Japanese heritage, Hoshina Anniversary continues to carve deeper into his own cosm, and Hisyochi arguably represents this prolific producer at his most singular, refined and potent yet.With nowhere to go and little to do, Hoshina was making music at a seemingly unstoppable torrent throughout the pandemic, sometimes sketching close to 100 tracks in any given month. Opening up a session from a previous track, he would erase all but one element, using it as a starting point for a completely new experiment, lending the body of work a subtle yet tangible coherence. Hisyochi was pieced together from a swathe of productions that came out of a particularly fertile period in the first half of 2021, which also birthed his recent release on Patience, Hyakunin Isshu.Roughly translating to “somewhere cool to relax during a hot summer” according to Hoshina, Hisyochi transcends seasons but undoubtedly runs hot. Drum patterns are crisp, varied and invariably body-moving, basslines ascend at vertigo-inducing velocity, and dimly-lit jazz-bar piano is often the only element anchoring the sound to terra firma.Following the plaintive, palette cleansing introduction of Rakka, Irahu plots the course with a light arpeggiator over a chugging rhythm before a warbly piano line to creeps in the back door. Misebayana is a jolt of gyrating mutant dance, part video game suspense and part footwork for drums and koto, while Kokoro no Heisei (Peace Of Mind) sees Hoshina deliver a salvo to stillness over a meandering, dubby spacewalk. Roman is an invigorating cut of warped dancehall tango, while the closing title track perfectly encapsulates the essence of the record and Hoshina Anniversary in 2022 in one elegant, acidic rinse.Hoshina Anniversary is Yoshinobu Hoshina, from Hachioji, outside of Tokyo. He’s released records as Hoshina Anniversary on ESP Institute, Alien Jams and Youth, under his Suemori moniker for Osare! Editions and as Shifting Gears for Toucan Sounds, amongst others.Hisyochi was written, produced and mixed by Hoshina Anniversary. It was mastered by Josh Bonati in NYC, and artwork is by Luca Schenardi.

Limited pressing. 5 track fire.DJ Overdose delivers again for L.I.E.S. with a huge summer release. Miami Bass party rockin floor shakers, and high speed, blade sharpened, trunk popping electro madness ran through his trusty sp-1200, programmed impeccably and ready for the club. This is essential madness from the undisputed king of RotterHague Electro. Comes in a bad ass picture jacket. Give it all you got!!!

U.S. pressed 7" flexi album sampler + foldout poster + full album (10 tracks) download code...."As friends deep into the forest roamed,they heard a low and wretched moan.A pack of starkloons, savage and wild,whooped and danced and drummed beguiled.Til they faced each other, in dead of night:a drum battle! To claim the rightOf soul and body to wander free,beyond the clearing and the lands of tree."

Back in 1980, The Pump sessions prefigured Nocturnal Emissions. The same personnel (Nigel and Daniel Ayers + Caroline K) was later credited in the first NE performance in March 1981. Throbbing Gristle and Cabaret Voltaire opened a path and a kind of DIY sound collage practice became popular in the underground. More punk than punk, right? With synth, bass, guitar and vocals, The Pump could almost be mistaken for a new wave band, but it was the start of a long, prolific and eclectic journey for Nigel Ayers, sole member of Nocturnal Emissions for quite a while now. Although it is not at all obvious, by 1980 Nigel had been exposed to a few dub tricks and mainly the otherwordly spatial sounds and breaks: «In the late 70s I became aware that dub producers such as Lee Scratch Perry, Prince Far I - and sound systems - were doing something with sound that was a very new and different approach. It was in the separation of recorded sound into very spatial elements, working very sculpturally with sound. I had absorbed the space concerns of Hendrix years before I got into dub, and the spatial elements within Gong, Hawkwind, early Pink Floyd, Velvet Underground, BBC Radiophonic Workshop, etc. When we did The Pump, we lived in Brixton and spent a lot of time absorbing dub in the streets and shebeens.»Growing up in the Peak District (northern England) during the 1960s didn't put one directly in touch with black culture or music. There was one black kid at school and «to see a black person you'd have to go to Manchester or Sheffield.» And mainstream culture tends to ridicule outsider forms and expressions, so a popular idea of reggae came through in things such as the novelty single "Johnny Reggae" by The Piglets, released in 1971. By that time, Nigel was already listening to a few reggae singles his dad brought home from Sheffield, where he worked. He remembers the labels being scratched and thinking it must be because the records were so rude, meaning lyrical content. His artistic inclinations led him to spend more time at home trying out his skills with Super8 films and pasting soundtracks onto them. One of the first he remembers was a loop worked out from side B of one of those singles (the traditional instrumental Version on reggae singles). First heard about tape loops from "Dr Who" on TV, a weekly show that imprinted strange sounds and sights on kids' minds since the first episode in 1963. More experiments followed, loops and cut-ups recorded to cassette with full conscience that non-musicianly, non-conventional approaches were sanctioned by such names as Captain Beefheart and Brian Eno.Punk made it easier for everyone aspiring to make a point with music, it created a context for rawness and spontaneity. «Punk was a necessary break from virtuosity, and a good thing. I dug punk, a lot of ideas about accessibility, tackling racism, sexism and species-ism, were brought to the foreground. And it created an infrastructure for the zine culture, and cassette culture, autonomous collectives & networked DIY.» Only the way most early punk bands recreated dub and reggae didn't strike a chord with Nigel Ayers: «That's more to do with questions of my own personal taste and preference, which is by no means fixed.» Things became more serious when "Tissue Of Lies" came out in 1980 and Nocturnal Emissions steadily became hot within the so-called industrial culture (or counterculture). Although never explicitly adopting a dub format, its techniques and inspiration certainly informed many of the more rhythmic tracks NE recorded over the years. «Personally I was trying to create something that integrated my own personal experience and had a focussed ethic in content, personnel, production and distribution. Women collaborators have been vital , for example, as active creators - not as set dressing. Caroline K (for example) had technical proficiencies that aren't often expected in a male-dominated music world, she ran her own studio and later became a telecommunications engineer.»Come 2010 and the love of dub finally surfaced explicitly on a very limited "In Dub" CDR. All the space is there, some might say also the industrial weight and - dare we say it - the weight of crumbling capitalism (notoriously visible after 2008). There's a sort of robotic pace in these dry statements of political commentary, not really the same as in 80s digital dancehall or 90s digidub. It sounds like the kind of autonomous zone dreamed about since the punk and cut-up years and informed by all the accumulated background in electronic music and knowledge and respect for dub pioneers. "In Dub Volume 2" appeared in 2020, also strictly limited, framed by the early stages of the COVID experience, expanding on the same sonics, gently dragging the listener along for a thoughtful ride. The music on both volumes was recorded at leisure over a period of roughly 12 years and it hovers timelessly above. Heavily synthetic, learned and respectful music, alienated and in sync with the desire to escape (even if temporarily) to an artificial and abstract safe zone. We now present carefully selected tracks from both volumes, given a proper boost for vinyl by Douglas Wardrop (Bush Chemists, Conscious Sounds).

Repressed on black vinylIn anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the first in a series of vinyl album samplers.Sampler 1 Sees two UK institutions from the North and South spotlighted. First up, Kerri finds himself in London’s cavernous Printworks, recording ‘Never Thought’ - a classic Kerri, piano fuelled groover, tough, melodic and perfectly accompanied by Sunchilde’s vocals.On the flip, ‘You Get Lost In It’, recorded at Manchester mecca, The Warehouse Project, channels the electric vibe created by those hallowed surrounds. A deep, heads down heater with sultry vocals from Lady Linn.

WRWTFWW Records and MEG Museum (Geneva) are honored to present the first new solo album by renowned Japanese percussionist Midori Takada (Through The Looking Glass) in 23 years, Cutting Branches From A Temporary Shelter, available on vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.The choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the artist.Midori Takada explains: "African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich."The album comes with in-depth liner notes that include an interview by Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.The sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.Part of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.The album is released in conjunction with Midori Takada and Shomyo of Koya-san's You Who Are Leaving To Nirvana, also available on LP and CD on WRWTFWW Records.

Geier aus Stahl is one of the many artistic guises of Leonard Prochazka. No superfluous elements take away from the core experience of his sound. Somewhere a statement from David Byrne crossed our path, able to highlight something of the essence of Leonard's art: “No matter how alienated the subject or the singer might appear, the groove and its connection to the body would provide solace and grounding. But the edgy, uncomfortable stuff was still on the foreground”. The debut album 'Strapazen und Genesung' takes us to an exciting world that twists, squeaks and creaks, yet is grounded by an unmistakable groove.

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1Improvisation Organic Deep House track by New Zealand’s newcomer. A-2A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-280s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

'EP 2' hones in on highlights from RX-101's arsenal of warm, melodic techno gems. For those who crave playful analog basslines and wistful, evocative synth pads, you'll be hooked within the first minute of opener 'August '97.' The references are clear: if you're a fan of Bochum Welt or Aphex Twin's 'Selected Ambient Works Volume 1,' this 6-track 12' delivers just that sound - authentic, effortless and pure.

After a 2 year hiatus, Silver Dollar Club returns to round out a trilogy of EPs with a sparkling slab of weirdo tearjerkers and club-ready cuts from Bristol's own Remotif. With a healthy lineup of releases on Coymix, Air Miles, and his own label Familiar Strangers, it's been a busy year for Joe Reddick and for good reason: Prolific and versatile, he combines a classic club sensibility with an exploratory approach to space and texture that results in a sound all his own.Slap Bass, wet arps, emotional breaks & driving percussion all come together to make a record that we're very proud to be able to put our name on. This will be the last in a series of three records from Silver Dollar Club; so play it in your sets, play it in the car, play it in the bath, whatever you do, just play it

Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio).First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020.Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close…Available digitally, and on limited vinyl LP in a reverse-board jacket, and includes a Bandcamp download card inside.