Amphibian Man II (two) is an alias of Dmytro Nikolaienko (Muscut, Faitiche).This project is an experiment, an attempt to play with the house, techno and dub techno genres.As a result, there are two tracks with variations inspired by the theme of the haunted Crimea peninsula and the 1961 sci-fi film “Amphibian Man” (also set in Crimea). As conceived by the author, the music is a soundtrack for the non-existing sequel if it had been filmed in 2084.

Formed in 2015, Vanishing Twin came together to make an exploratory record that marries English pop with a palette of arkestral sounds. Having previously released a string of conceptual cassettes under the name Orlando, founder Cathy Lucas named the group after her vanishing twin, an identical sister absorbed in utero, when they were both still a cluster of cells.Enlisting the help of producer Malcolm Catto (Heliocentrics, DJ Shadow, The Gaslamp Killer) the band began work at his London studio, Quatermass Sound Lab, last spring. Recording the basis for eight tracks, they blended structure and improvisation in pop songs that describe a personal mythology through the adventures of Lucas's vanished twin. Drawing on sounds outside of the usual pop vocabulary, the group used forgotten drum machines, home-made electronics, vibraphones, tablas, and harp to invoke the esoteric psychedelia of lost soundtracks, radiophonic experiments and minimal music orchestras. In a studio that Catto built for maximum atmosphere and minimum interfere, and crammed with obscure vintage equipment, he brought his own distinctive sonics to the table, informed by outsider jazz, Italian library music and ethnographic field recordings.Vanishing Twin is made up of singer Cathy Lucas (Innerspace Orchestra), drummer Valentina Magaletti (Raime, Tomaga, Uuuu, Neon Neon), bassist Susumu Mukai (Zongamin, Floating Points), library music head Phil M.F.U. (Man From Uranus, Broadcast) on strange sounds, and film maker and visual artist Elliott Arndt on flute and percussion.

Technoindigenous Studies is the newest outlet of producer/composer Gabriel Reyes-Whittaker, aka Gifted & Blessed, serving as a platform for his many alter egos and side projects. As the name implies, Technoindigenous Studies is the union of modern musical technology with the ways and intentions of the ancestors.The first release on the label is from one of Gabriel’s lesser known monikers, The Reflektor. We know The Reflektor as half of the west coast electro funk duo POLY, and since then he released an EP with Kyle Hall’s Wild Oats label titled Las Ruinas Mayas, which paid homage to the ancient Mayans. This new EP, simply titled Taíno, is a tribute to his own indigenous Caribbean ancestors. Each of the 4 track titles is taken from the Taíno language. Call it techno, electro, music to move to, whatever you wish. There’s room for your own personal interpretation. That’s what makes the Gifted & Blessed sound what it is.

ISOR29 with a six track mini-album titled ‘Moon Phase Gardening’. ISOR29 is a new project from Colombian musician Tomas Garcia Station and follows on from his highly regarded 2020 debut release under the ‘Irie Nation’ moniker.The title ‘Moon Phase Gardening’ (also referred to as Gardening by the Moon or Planting by the Moon) draws upon the idea that the lunar cycle affects plant growth. Just as the Moon’s gravitational pull creates the tides of the oceans, it also creates more moisture in the soil, which encourages growth.Evolving out of forced time off, individual confrontation and the love for someone close, ‘Moon Phase Gardening’ was recorded in the living room of an old flat in Lisbon during the first lockdown. Using only a microphone, computer, Korg MS20, hang drum and a field recorder, ISOR29 channels Tomas’ musical vocabulary via electronics to reflect an immersive and self-reflective story bound to a uniquely powerful time and space.

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 8 tracks are selected by Antal in a 2 x 12-inch format. From newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1Improvisation Organic Deep House track by New Zealand’s newcomer. A-2A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-280s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2A total of 8 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

The Idealist is one of the many projects of Joachim Nordwall who has a long history in Swedish experimental music running the quintessential iDEAL Recordings record label since 1998, as a member of the psych-drone duo Alvars Orkester, avant punk rock trio Kid Commando and ritual drone rock group The Skull Defekts and through his many solo recordings and collaborations with people such as John Duncan, Aaron Dilloway, Mika Vainio, Mats Gustafsson, Leif Elggren, Gabi Losoncy, Mark Wastell and Christine Abdelour.As The Idealist, he has been delving into an amalgam of experimental techno, dub and industrial music since 2006. His new A Lion Is A Lion And Not A Lamb continues this perspective unabatedly, conjuring up six tracks that shimmer with an almost psychotropic intensity, sometimes including acidic touches, dwelling in a confrontational minimalist musical stance where repetition, bursts of gorgeous noise and dubbed out skeletal rhythms make for wayward yet driving grooves at home on the dance floor and a set of headphones alike. The Idealist looks for engagement within rhythm, in its almost purest form.

Based in San Francisco, originally hailing from Brussels, YNV has forged a distinctive sound that meanders in between tribalistic ritualism and ice-cold synth wave, never loosing that cosmic touch - uniquely displayed on his Cosmic Cult EP for Neubau!

"The story behind Shroomz, Guns and Roses came from the pandemic, it was a time I felt deep in nature and studying of zen, I felt like the pandemic brought out a darkness in me, and I combatted these negative thoughts with nature and mushrooms to create a balance in my life spending time in the mountains of Alabama and Asheville, North Carolina. I chose "guns" and "roses" as a way to juxtapose the violence we're experiencing in the USA with the peace of mind a rose can bring as a balance in life. Music makes its way through these tough times we're all facing, and to me, music is that rose. I paint a canvas of my emotions through synthesizers and drum machines to show the world balance can be found through even the toughest of times."

Complete works from the DJ Legend - High quality reissue, remastered from the master tapes, coming as a double LP !Including never released alternate mixes + the new reboot from the iconic track : Obsession - The Paris VersionGuy Cuevas is a French-Cuban writer, musician, and DJ, pioneer of the art of modern DJing. A key figure on the Paris night scene, Guy Cuevas gained a cult status as the resident DJ of the mythical nightclub Le Palace, gathering thousands of people every night under his booth, shepherding them with his music towards euphoria. He also collaborated with a great number of Fashion brands, such as Yves Saint Laurent, Kenzo, Dior, Hermès and many more.In the early 80s, Guy Cuevas released a handful of records, channeling his hedonism and natural grandeur into his sound, creating a unique music of his own.Totāl Cuevas brings together music from his three singles Ebony Game (1981), Obsession (1982), and Gallo Negro (1984), and includes previously unreleased alternate mixes. Guy Cuevas’s most iconic output, Obsession - The Nassau Mix (mixed by François K) gets a fresh new reboot with Obsession - The Paris Version

6 carefully selected tracks from Nicole Skeltys' rather extensive catalog.Compiling tracks from her Artificial alias, TNL-OCS002 consists of material which draws from her self-released 12"s, a long lost 7" lathe cut, as well as some CD-only material.Being active since the 90's, Nicole has paved her way through many genres and moods, which together represent all things "Antipodean Electronica" excellently.Also features a track from close friends Dark Network.Presented in a printed sleeve with psychedelic sticker.

Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music.If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same.This 2022 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.