Ted Nugent
State Of Shock

Crocodile or Real? A ghost dub broadcast shaped from a special K.Over-ripe bananas and quaaludes, looking across the concrete at screeching burn outs resonating into echo-streaked good morning sunshine. Beat a zig zag serpentine passage, and drift towards solid ground on the platform, are you coming down? Ported and stacked, slip into a stuttering seventh dub. Alarm bells and scattering footsteps in the carriage, that is ugly (what’s going on?) Space liquid danger waters, sink or swim, float forward inside out, Queens Park conga, last train (to Glasgow Central). Perfect storm clouds, take a beat dub cut-up bud, splash it out.

Roy Of The Ravers takes a break from his mischievious outings on Acid Waxa et al to lay down some of his braindance tackle on Emotional Response. White Line Sunrise II.I (Le Roy Soleil) can rightly be considered a follow-up to White Line Sunrise II and indeed it represents a similar kind of spectrum of electronica. Roy's sound is edging further into the kind of 'artist' territory where slower, softer tracks, odd vocal diversions and some pop sensibilities merge with the acid, electro, breakbeat and other well-established tropes of his sound. It's the kind of record which could easily broach this quirky fringe operator of UK electronics to a broader fan base, and there's no doubt he's got the melodic, emotional heft on tracks like 'Versace 101624' to get everyone on board.