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DFSANT 03
DFSANT 03DFSANT 03

Labels

DFSANT

Catno

DFSANT03

Formats

1x Vinyl 12" 33 ⅓ RPM EP

Country

UK

Release date

Jun 1, 2018

Media: Mi
Sleeve: M

9.5€*

*Taxes included, shipping price excluded

Brand new item ** // pick up possible at our shop or shipped in secure packaging ** xtcr loves you

A1

Freewayz

A2

Interlude

B1

Nu Melody

B2

Atliplano

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A much needed repress of DJ ESP & Hoschi's The Mad Scientists EP on Minnesota imprint Communique has finally arrived. DJ ESP aka label chief Woody McBride, legend of the Midwest scene, takes over the first side with the droning and mental energy of '4 Days In The Laboratory' followed by one more cerebral cut in the form of 'New Body' which will have you trancing out under the strobe lights. Over on the flip, Hoschi's contribution is the high-octane peak time acid thriller that is the title track.
Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The. Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out. Silence & Wisdom – the duo’s 1982 debut – is a series of musical vignettes, like the score of an unrealized arthouse film. Blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, the album is recommended for fans of Durutti Column and Virginia Astley’s From Gardens Where We Feel Secure.