Open today: 10:00 - 12:30

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Egon
Curse Of The Evil Badger

Curse Of The Evil Badger
Curse Of The Evil BadgerCurse Of The Evil BadgerCurse Of The Evil BadgerCurse Of The Evil Badger

Artists

Egon

Catno

STH2057

Formats

1x Vinyl LP Album

Country

US

Release date

Jan 1, 2003

Media: NM or M-i
Sleeve: NM or M-

10€*

*Taxes included, shipping price excluded

as new

A1

Intro

A2

The Blind Man Gets Down

A3

Bootsy's First Break

A4

Interlude One

A5

Hum-Buggin'

A6

Bold Soul

B1

Interlude Two

B2

Malcolm's Beat

B3

Interlude Three

B4

Six Pack Of Time

B5

Jones'n

B6

Runnin' Wild

B7

Tear It Down

Other items you may like:

Almost 2 years after the success of the album The tony Allen Experiments and a few months after the release of the 7inch Amore, Nu Guinea return to the scene with a new LP published by their newborn label NG Records.After touring the world looking for sounds suitable for their vibrations, Nu Guinea decided to go back to square one, Napoli, where Massimo Di Lena and Lucio Aquilina were born and raised. They watched their city from a distance reconstructing its energy from their studio in Berlin, calibrating the synths on the meridian of Vesuvius, the volcano that has always protected and threatened Napoli.Nuova Napoli is the result of a long musical research that has become a historical investigation on the sound that shaped Napoli during the ‘70s and ‘80s, starting from the contamination of genres (disco, jazz-funk, African rhythms) which ended up in Nu Guinea’s DNA.In this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in Neapolitan dialect. It is the first time that the duo has worked with such a large group of musicians, some of whom are exponents of the contemporary Neapolitan scene.
Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.