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Silver
SilverSilverSilverSilver

Catno

JC 36086 36086

Formats

1x Vinyl LP Album

Country

US

Release date

Jan 1, 1979

Media: VG+i
Sleeve: VG

20€*

*Taxes included, shipping price excluded

sticker on top right corner

A1

Johnny Cash - The L&N Don't Stop Here Anymore

3:12

A2

Johnny Cash - Lonesome To The Bone

2:37

A3

Johnny Cash - Bull Rider

3:08

A4

Johnny Cash - I'll Say It's True

2:47

A5

Johnny Cash - (Ghost) Riders In The Sky

3:46

B1

Johnny Cash - Cocaine Blues

3:17

B2

Johnny Cash - Muddy Waters

3:26

B3

Johnny Cash - West Canterbury Subdivision Blues

3:44

B4

Johnny Cash - Lately I Been Leanin' Toward The Blues

2:33

B5

Johnny Cash - I'm Gonna Sit On The Porch And Pick On My Old Guitar

3:00

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Deep late 80's percussion LP created to accompany contemporary jazz-dance classes. African instrumentation meets Western Jazz arrangements and computer technology. TIP!Percussions Pour La Danse was a collaboration between North American born jazz & contemporary-dance instructor Tony Kennybrew and French musician Jean-Pierre Boistel. Tony, a Washington native who had studied, taught and danced professionally since the age of 12, found himself in France in the late 80’s. It’s here that he linked up with like-minded musician Jean-Pierre; who had recently returned from a 6-month trip to West Africa. A trip that helped refine his craft that begun in the early 70’s.The music was created for Tony to use when teaching contemporary jazz-dance classes and to accompany live performance, allowing students to “dance slowly, rapidly and change speeds without changing the tempo!”. This work of rhythmic research was based on the “Balance of The Walk”; in 4 times, in 6 times, in 7 times & in 3 times. In order to reach the spatial possibilities he was striving for, Jean-Pierre would also use computer assisted programming to sample and re-play his own instrumentation. This allowed him to lay down the tempo of the track and then play live over the top, which in turn gave him the freedom to add the desired instruments and effects to each song.Jean-Pierre’s use of instruments such as the Kalimba, Talking Drum & Sanza gives the album a distinctly African feel, while contemporary Jazz-dance time signatures adds a unique perspective to these traditional instrumentations creating an ethereal balance between the old and new.