Various
CRTL003

»Hoya«, the first collaborative record from Fhunyue Gao and Sven Kacirek, is a site of encounters. There's the encounter between two different media and artistic conceptions: Gao, on the one hand, a stage director, performer, musician based in Switzerland, a frequent collaborator of Annalena Fröhlich's, Thom Luz's and many others, who works for a most colourful variety of venues all over Europe and is a member of the music association Bongo Joe. Kacirek, on the other, an established musician living between Hamburg and Kenya, with several releases on labels such as Honest Jon's and Bureau B under his belt and an equally illustrious and diverse list of collaborators, among them Shabaka Hutchings, Ogoya Nengo, Marc Ribot, John McEntire, Hauschka and Nils Frahm.What began with a chance encounter while working together on a dance project in the Netherlands, quickly became clear to the two of them as a shared musical sensitivity demanding further exploration. At the center of this stood an encounter between their instruments and the different modes of expression they afford: playing combinations of marimbas, drums, percussions, electronics, theremin, Buchla synthesizer, and piano, off-rehearsal sessions during Gao's and Kacirek's subsequent collaborations for theater continually grew in importance for the two of them.When they decided to elaborate these explorations in a project entirely their own, the two of them locked themselves into Kacirek's studio at Jaffestrasse in Hamburg, and started working on »Hoya«. Over the course of the LP's 40-minute runtime, what once began as an unlikely meeting is presented as a playful, unpredictable, yet deeply developed and substantial affair. Sublime, ethereal layers of synth and theremin are counterpoised by delicate and shifty bouts of percussion. A labor of love that truly stands on its own.

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

A double 12 inch of rather fine DJ Sotofett remakes of the debut LP by Irish post-punk producer Stano. How this record came about has been lost a bit to the midst of (recent) time, back in 2018 when the label repressed ''Content to Write in I Dine Weathercraft'' the 1983 debut LP of one of Ireland's more enigmatic musical characters - they slid it the way of the versatile Norwegian polymath who suggested a remix, which quickly became two and soon ended up a full six track suite. It was put it aside for a bit, became a bit longer, then the artwork - pieced together by the Sex Tags boss himself cutting up features from Irish fanzine Vox - and the general lag of production in the post covid world and here we are the guts of 5 years later!